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Look, this movie has some bizarre pacing, cute albeit entirely unnecessary callbacks to previous films, way too many characters to balance (very funny for the character you gave nothing to do to say out loud "there's nothing for me to do"), and a general unmistakable sense that they did not plan out what to do next before finishing the previous film.
BUT the climax was one of the most insane things I've ever seen onscreen and it made my palms…
bleak as hell. my 5-year-old asked me "how many minutes are left?" before lilo and stitch even met for the first time.
his trailer reviews:
- The Bad Guys 2: “no”
- The Smurfs: “never”
- Superman: “is he a bad guy?”
- Elio: “I saw this on YouTube” (?)
- Zootopia 2: “What DAY in November?! We should go to the movie theater every day just to check.”
The first hour: “here’s what’s you missed on Glee”
The following hours: HOW THE FUCK IS THIS EVEN POSSIBLE THIS SHIT IS THE GREATEST ACTION SET PIECE IN THE HISTORY OF MAN NOT EVEN NATHAN DRAKE SURVIVING THIS SHIT
Some of the best movies culminate in electrifying dance sequences that leave audiences spellbound. "Jojo Rabbit" embraces the vibrant and heartwarming energy of a dance, infusing hope and unity. "Guardians of the Galaxy Vol. 3" bursts with a cosmic dance finale, uniting the quirky team and showcasing their camaraderie. "Another Round" ends on a poignant note with a liberating dance, symbolizing personal transformation. "Rushmore" and "Paddington 2" also feature memorable dance sequences that punctuate their narratives, leaving a lasting impression…
Following THE TIMES OF HARVEY MILK, we’re proud to continue spotlighting powerful, groundbreaking queer cinema throughout our programme with a curated strand titled LGBTQIA+ STORIES.
Selected by Wes Anderson, this series of five movies at L’Alliance New York complements the themes, ideas, and notions of The Phoenician Scheme’s world—and pays tribute to Jean Gabin, Lino Ventura, and Harry Baur.
Après sa sélection au Festival du Film de Sundance où le film a remporté le World Cinema Dramatic Special Jury Award for Writing, et une tournée dans les salles de cinéma québécoises, la comédie moderne Deux femmes en or de Chloé Robichaud (Les jours heureux, Delphine, Pays, Sarah préfère la course) scénarisée par Catherine Léger (Babysitter, La déesse des mouches à feu) arrive au cinéma.
When examining the history of fashion in film, audiences tend to gravitate towards elaborate Victorian style outfits of period piece cinema or the immaculate dresses worn by Hollywood’s Golden Age. We overlook the complexity and difficulty of pulling off contemporary costume design, mainly due to our familiarity with the styles of the time. By undermining the significance of these outfits, we fail to see how they drive character development, and if done correctly become more timeless and culturally relevant than any…
The awards for the Short Film Competition of the Accessible Film Festival 2025 #EFF2025 were presented at the Award Ceremony held at the Goethe-Institut Ankara. Hosted by Ege Kayacan, the event welcomed festival ers, representatives from the Delegation of the European Union to Türkiye, embassies, Ankara Metropolitan Municipality, jury , film crews, of the press, and numerous guests. The ceremony was made accessible with sign language interpretation, live audio description and English translation.
"Recent monster movies are full of images of big cities being destroyed. In the old monster movies, it was much scarier to have them land in ordinary fishing villages. It's much more frightening to have your house destroyed than a big city."
Vamos a hablar de una historia en tres partes. Primero, de una escritora precoz que arrasó en Francia. Después, de un reputado director que decidió adaptar su novela. Por último, de una directora canadiense que ha debutado por todo lo alto.
Alice Wu on the twenty-year legacy of her taboo-tackling rom-com, Saving Face.
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