Weekend Watchlist: Morbius, The Bubble and Apollo 10½: A Space Age Childhood
[Izon by Trent Walton fades in, plays alone, fades out]
MITCHELL Hi, welcome to Weekend Watchlist: a look at what’s screening and streaming, brought to you by The Letterboxd Show. I’m Mitchell, he’s Slim.
SLIM Hello!
MITCHELL And together we’ll dig through what’s dropping this weekend, last weekend, recent trends on Letterboxd and we’ll also take a peek at our own watchlists.
SLIM We’re back babyyyy! Mitchell, you’ve returned. You were on assignment last week. And can you confirm or deny the rumors that you needed a week off to prepare for the release of Morbius starring Jared Leto?
MITCHELL I’ll say this, Slim, I think that... like most of the world, it seems like all over the world, you know, based on the release strategy, I think I needed a couple of years, really, to prepare for Morbius. [Slim laughs]
SLIM The first trailer—we’ll get into it in just a minute—but the first trailer came out, what was it, January 2020 for Morbius.
MITCHELL Yeah, I have not gone to a movie theater since March 2020. And it is haunting to me that there’s a movie coming out this weekend that I saw a trailer for multiple times in theaters.
SLIM So before we get into Morbius, this episode, we’re gonna cover The Bubble, Apollo 10 ½[: A Space Age Childhood] and maybe even a little Memoria later in the show. So why not kick things off with our dear, sweet boy Morbius directed by Daniel Espinosa. This is on 30,000 watchlists, this is just in theaters. And this is, as follows, the synopsis: “Dangerously ill with a rare blood disorder, and determined to save others from suffering his same fate, Dr. Michael Morbius attempts a desperate gamble. What at first appears to be a radical success soon reveals itself to be a remedy potentially worse than the disease.” Mitchell, are you familiar with Morbius in general before this movie had come about?
MITCHELL I don’t think that I was. When I was like a teenager I was very much into comics, Spider-Man was definitely one of my main guys. But, you know, when the trailer came out, when they were talking about the movie, I don’t think that I was actually familiar with Morbius, I don’t know if I just missed that or if he’s one of kind of like the lower-tier ones that isn’t, you know, The Vulture, Venom, Carnage, like the big ones. So yeah, Morbius, when I first heard about it, I was... confused as to what this was. [Slim & Mitchell laugh] And did not realize it for a little bit, that they were doing the Sony “finding other Spider-Man characters that they can do things with” kind of thing. I know you’re a comic guy, is he somebody that you already were familiar with before hearing about the movie?
SLIM I am a comic dweeb. Growing up, was like a B-character, C-character, AKA The Living Vampire. Eventually he did turn into like an anti-hero kind of deal.
MITCHELL Of course.
SLIM Where I think he only would drink the blood of the guilty.
MITCHELL Ohhh! A little Dexter going on.
SLIM The original Dexter: Morbius. [Mitchell laughs] But yeah, again when this had been announced, it just felt like Sony was kind of grasping at Spidey-straws in of characters. With that said, Venom seems to be pretty popular with the select group of movie fans. [Mitchell laughs]
MITCHELL Yeah.
SLIM So maybe there’s something here for Morbius. I don’t know!
MITCHELL Yeah, that’s the thing. It’s kind of, it’s a weird movie to talk about because obviously for years now, it’s kind of gotten memed into oblivion a little bit on Twitter and everywhere that, you know, it’s kind of a joke of a movie. They pushed the release date back many times. It’s now coming out on April 1, which seems a little bit like...
SLIM Sus.
MITCHELL Almost tongue-in-cheek that they pushed it back again to April 1. But at the same time—and I can’t say I’m necessarily looking forward to seeing it—but at the same time, you know, Venom had a lot of kind of negative buzz going into it as well and it’s gotten, you know, both of the Venom movies have not gotten the best critical reception. But the people who ride for it, really ride for it. So you know there’s definitely a potential that Morbius could get a similar kind of, you know, mini kind of cult following.
SLIM We’ll find out next week, we’ll see what the Letterboxd community thinks about Morbius.
MITCHELL We certainly will. And also coming out this week, we’ll move into The Bubble, the latest from Judd Apatow. This is coming out on Netflix and in theaters. It’s on 4,000 watchlists right now, a little bit low for a Judd Apatow movie. The synopsis of it: “Sneaking out. Hooking up. Melting down. The cast and crew of a blockbuster action franchise attempt to shoot a sequel while quarantining at a posh hotel.” You know, the buzz on it is not... there’s not a lot going on, which is really interesting to me. I mean, part of that comes from, you know, the Netflix release strategy. It’s a little bit kind of being siloed into the Netflix bubble, if you will. But, you know, Judd Apatow for me was really formative kind of guy. When I was a teenager, I discovered Freaks and Geeks and Undeclared, which were both really, kind of, foundational touchstones for me that I still love. And then, in the mid-2000s, he started directing his own features with [The] 40 Year Old Virgin and Knocked Up. And I feel like, it’s kind of this interesting trajectory with the name “Judd Apatow” where there was a period of time for like eight years, in the mid-to-late-2000s, where his name was really synonymous with what studio comedy was, and like everybody knew the name “Judd Apatow”, but now even just in such a short period of time, there’s a whole generation of people who know him as the “director dad”, whose name they don’t know but they know him as the nepotism-fueling father of Euphoria’s playwright-queen Lexi AKA Maude Apatow, his daughter. And it’s just so interesting how the trajectory—I think it says a lot too about, you know, obviously studio comedies, that his name has just gone from being this huge powerhouse to now being what it is, where this whole generation of people don’t even know who he is. They’re just like, “Oh, yeah, that’s Lexi’s, dad. That’s so weird.” How is Judd Apatow for you? What do you think of when you think of Judd Apatow?
SLIM The Larry Sanders Show.
MITCHELL Right, yeah.
SLIM On HBO, was and is huge for me. It’s one of my favorite all time television shows. And you’re right, [The] 40 Year Old Virgin had come out and, man, when every studio comedy had that poster style?
MITCHELL Yeah, yeah. [Mitchell laughs]
SLIM For years, of like bright colors in the background and the character’s face. I mean, it feels so long ago. But that was such a huge era. You’re right, a period of eight years where Judd Apatow was like leading the charge in a lot of these studio movies. And I guess you could say the same thing about Adam McKay, too.
MITCHELL Yeah, for sure.
SLIM They were both kind of reinventing that studio comedy. And the cast for this movie is gigantic. Karen Gillan, Fred Armisen, David Duchovny is in this, Kate McKinnon, Pedro Pascal. So it’s a giant cast. And actually, I think we did both watch it. We’re under strict embargo.
MITCHELL Very strict embargo.
SLIM We can’t even give our opinion on it. But it is very much in the mode of like a “Covid film”. That’s the gist of it. They poke fun at that. They’re filming a Covid movie, they’re under quarantine, and it’s the kind of tribulations that go along with it. So, Judd, I think Judd has done a lot of documentaries over the last couple of years, or that’s the main work that Judd had done so this is kind of like a return.
MITCHELL Yeah yeah yeah. And it’s interesting that it’s not getting, you know, that much attention. But at the same time, as we are under embargo, you know, you can say that a movie lifting, not lifting its embargo until six hours before it comes out on Netflix for everybody to see, maybe says something about the movie itself and how good it may or may not be. I don’t know, I can’t say. I can’t say!
SLIM The Netflix lawyer in our recording studio just gave the cut off motion there. [Mitchell laughs] They’re giving the cut off to Mitchell, we can no longer make any—
MITCHELL I can’t say! I’m not saying anything! I’m just saying when the embargo lifts! I’m just saying when the embargo lifts! [Slim laughs] That’s all I’m saying. That’s all I’m saying.
SLIM So that’s on Netflix in theaters. Next on our list, Letterboxd darling, Richard Linklater makes their first appearance on Weekend Watchlist with a new movie also hitting Netflix this weekend. 6.3 thousand watchlists, Apollo 10½: A Space Age Childhood: “A man narrates stories of his life as a ten year old boy in 1969, Houston, weaving tales of nostalgia, with a fantastical of a journey to the moon.” This is narrated by Jack Black. What’s jablin’ jables? Famous YouTuber nowadays, maybe. [Mitchell & Slim laugh]
MITCHELL Yeah, true!
SLIM Speaking of which, maybe people only know Jack Black from his YouTube channel, which is insane to say out loud.
MITCHELLELL I was very surprised when I found out that he has a YouTube channel and is also like, very into it. He’s very much a YouTuber and has like a big following and everything.
SLIM You have some thoughts on this movie. You’ve watched this.
MITCHELLELL Yeah, yeah, we both got the chance to check this out. We are able to talk about this one. [Mitchell laughs]
SLIM The lawyer has left the studio. They’ve gone back to the legal offices.
MITCHELLELL The sniper rifle has moved off of me and onto my cat for some reason! [Slim laughs] I don’t know what’s going on there, but hopefully that’ll turn out all right. But yeah, you know, I liked... I definitely liked the movie. It’s very interesting, you know, it’s using the kind of rotoscope animation technique that Linklater’s films used with Waking Life and A Scanner Darkly before, which I really love [A] Scanner Darkly in particular, it’s one of my favorite Linklater movies. And it’s a fascinating animation style, but it’s different than those movies in the sense that, you know, those are a little bit more fantastical, A Scanner Darkly, very much is like a dystopian sci-fi almost. And this one is kind of the Linklater that people are more familiar with or maybe associate him with more, kind of those reflective, looks back on memory and time. You know, people know him from the Before Sunrise, [Before] Sunset, [Before] Midnight trilogy, Boyhood, Dazed and Confused, movies that really just analyze these kinds of periods of life where we’re coming of age. And the whole moon odyssey, kind of, element into it is interesting. I like the NASA angle that the film opens up on and eventually, like a long time later, returns to. But a lot of the movie really is Jack Black as kind of the older-version of this main character narrating just kind of the minutiae, like day-to-day, moments of his life. And I found a lot to relate to in how it captures kind of the fantastical stories that we would make up for ourselves as a kid along with, even though the movie takes place in 1969, like I grew up a couple of decades after that, it really speaks to how much we were able to get away with when we were kids. I think that there’s so much stuff in this movie. And then in my own childhood, I don’t know if it’s the same for you, where you look back and you’re like, “I should have died...” [Slim laughs] Like there are very dangerous things that I was doing every day and just getting away with.
SLIM My favorite parts of the movie were those exact moments of him retelling the story of them in the back of a pickup truck, about how like one false move and all the kids would have been dead, but it’s just something that wasn’t talked about or thought of.
MITCHELL Shooting Roman candles at each other with like trash cans, trash can lids are your defense. [Mitchell laughs]
SLIM Yeah, I would have loved a two-hour movie just of that. Of those stories of the childhood. So I think we’re in agreement that those were, you know, my favorite parts of the film. And do we have a clip? Do we have a clip to play, Mitchell?
MITCHELLELL I think we’ve got a clip! You know, the film premiered at the SXSW Film Festival recently, before coming to Netflix, and we had Annie Lyons, our correspondent down in Austin was on the red carpet at the premiere and was able to get a few minutes with Linklater, talking about exactly these kinds of things that we’re talking about, you know, memory and nostalgia and all of that. And I think we might very much have a clip here to play of Linklater talking about this at SXSW.
SLIM Roll the clip, please.
MITCHELL Roll it!
[clip of Annie Lyons on the SXSW red carpet plays]
LINKLATER The great things about getting older is you get to like have this relationship to your past. And I think cultures do that, individuals do that, you know, it’s a really kind of interesting space to operate in. And I wanted to do this film both personally, obviously, but then, you know, there’s a bigger cultural analysis to just everything. From like, parenting, you know, people parented different back then, culture was very difficult. So, I don’t know, installs just kind of a double-edged sword. You know, it’s kind of, you know, it’s not necessarily positive. But you know, I think we all want to look back and understand stuff that we maybe didn’t understand at the time.
SLIM I think he’s right about the nostalgia being a double-edged sword. But for me, those were my favorite parts of the movie. And we do have a review from Matt Herrero who was at SXSW for the whole deal, and they tagged their review, “Weekend Watchlist”. So if you want your review spotlighted potentially on the show, be sure to tag your reviews “Weekend Watchlist”. “Using significantly more advanced animation techniques that go far beyond the rotoscope work his team pioneered on Waking Life and A Scanner Darkly, Linklater creates a transcendent celebration of those heady final days of that defining decade.” What’s your favorite Linklater movie?
MITCHELL I think my favorite probably, you know, speaking of Jack Black, I really love School of Rock and A Scanner Darkly, I think [A] Scanner Darkly and School of Rock are probably my two faves. I always kind of forget that Linklater did School of Rock and then I ...
SLIM Me too.
MITCHELL And I’m like, oh, yeah, what... what a movie. That movie holds up. Those songs, I still, I was thinking about after watching Apollo 10½[: A Space Age Childhood], I was thinking about School of Rock and I found myself singing the songs to School of Rock in the shower... [Slim laughs] the next morning and I know all the words still to the School of Rock soundtrack. I know you’re a School of Rock guy, right?
SLIM Huge fan. That might be a perfect movie.
MITCHELL Yeah.
SLIM I think we watched that with my son James for the first time and at the end of the movie, he’s like “I think this might be the greatest movie I’ve ever seen.”
MITCHELL He might be right! [Slim laughs]
SLIM And I’ve only seen Before Sunrise a couple weeks ago for the first time.
MITCHELL For The Letterboxd Show, right? Covered that one?
SLIM That was for The Letterboxd Show with Gemma. And those are, you know, that’s what I consider like a quote “Letterboxd movie”.
MITCHELL That’s fair, yeah.
SLIM It’s like, in the community. So I finally was able to check that off, I did enjoy it. And I’m excited to go through the rest of the trilogy.
[music fades in, plays alone, fades out]
MITCHELL Slim, we’ve looked at the movies that are coming out this weekend. I think now it’s time for us to look back to last week’s movies to see what the Letterboxd community is saying. And , for listeners, if you want your review or list potentially featured on an episode of Weekend Watchlist, just add the tag hashtag “Weekend Watchlist”.
SLIM I mean, you want to talk about buzz, the nuclear buzz around Daniels’ Everything Everywhere All at Once, it’s chilling at a 4.6 average on Letterboxd. And we’ll go deeper into more data and stats in just a few minutes. But we also added an Easter egg! I’m not gonna tell you what it is right now, but we added that Easter egg. And I know you’re not going to theaters right now, hopefully in the future. But what’s your idea on this movie? I mean, it’s nuclear buzz.
MITCHELL Yeah, “nuclear” definitely the word. I feel like we haven’t seen a buzz on a movie like this probably, on Letterboxd, since Parasite, is really the last time that I can think of a movie just surging the way that this one is. People are just really loving it. You know, you and Mia both had seen it, talked about it, how much you both loved it on last week’s episode. We’ve got plenty of very euphoric reviews coming in on Letterboxd for the film. I wanted to highlight one of them, though. I wanted to highlight David Chen, host of The Filmcast, somebody that we all love very much. You know, his review of the film on Letterboxd, he said: “Once every few years, a film comes along that is so audacious, funny, original, technically dazzling and thematically resonant, we feel blessed to have been alive to see it. This is such a film. It spoke to me on such a core level that it felt genetically engineered to meet me at this point in my life. It may be my new favorite movie of all time. No joke.” That’s a huge phrase. That’s somebody who sees many, many, many, many, many movies and is really considering it being his favorite movie of all time.
SLIM When we were talking about it in the Letterboxd Crew’s Slack, you know, it hasn’t open wide yet. And I was kind of wondering like, man, I wonder what the discourse is going to be when everyone can see this. Because it’s so, you know, me, we talked about before about my reverse-hype, like when the hype gets too hot, I start to get like anti-that movie. [Mitchell laughs]
MITCHELL Yeah, yeah.
SLIM So I do worry that hopefully that doesn’t happen for this movie, because it was a lot of fun. And it’s a really dynamic science-fiction movie. I said it was just so frenetically paced. I couldn’t a movie that made me feel that way. I think I said it was like an Edgar Wright movie.
MITCHELL Yeah, you related it to Scott Pilgrim [vs. The World] specifically.
SLIM Yeah. how Scott Pilgrim [vs. The World] made you feel in theaters? It was similar to that. I mean, it’s up there! We’ll reveal some stats that might shock you to your core later in this episode. [Mitchell laughs]
MITCHELL First, before we do that, though, the other film that is currently already wide in theaters playing right now, that came out last week, is The Lost City with Sandra Bullock and Channing Tatum. You and Mia talked about it last week. But let’s give a look at some of the Letterboxd reviews that have come in for The Lost City. One that I wanted to highlight from Jay Ledbetter about The Lost City, he says “I’m not saying this is some sort of return to a bygone era, but… movie stars! Locations! It actually looks expensive! Just a helluva time at the movies. The batting average on the jokes isn’t super high, but The Lost City made me yearn for above-average studio comedies. I am absolutely in for returns to stardom for both Channing and Sandy.”
SLIM Sandy... The return of Sandy.
MITCHELL Oh, I miss her so much.
SLIM Kev tagged their review, “Weekend Watchlist”: ”So this is what being truly entertained feels like. The Lost City is everything Hollywood should be making: a wildly silly movie that earns its gooey sentimentality through the winning charisma of the stars and doesn’t exist to sell you anything but more of the same. And I want more now.”
MITCHELL Hmm.
SLIM Holy smokes.
MITCHELL Speaking of wanting more now, I did see a few reviews on Letterboxd that mentioned a particular scene in The Lost City where apparently leeches suck out Channing Tatum’s butt. [Slim laughs] So, you know, if that’s something that you’re interested in, which I think that we all probably are, get out there and see The Lost City. [Mitchell laughs]
SLIM Oh my god. So what did you want to spotlight as well for this previous week? And maybe ?
MITCHELL Yeah, one thing I wanted to spotlight is Journal, which I encourage everyone to read that interview, if it sounds like you might be interested in it. But more importantly, for people who are interested and want to see the film, you can finally see the schedule of where and when it’s going to be playing at the URL memoria.film/locations. That’s memoria, spelled M-E-M-O-R-I-A dot film slash locations to see where and when it’s going to be playing and if you might be able to see it.
SLIM Yeah, we’ll have a link in the episode notes as well. I’ll just, the last thing on Memoria, I’ll read your first sentence of your five-star review.
MITCHELL Five stars!
SLIM “As a Certified Slow Cinema Bitch, this was my ideal Thanksgiving viewing.” [Mitchell laughs] What I also love about this, is I think right before this, you had watched Last Night in Soho, so what a twofer in of running the gamut of your rating scale. [Slim laughs]
MITCHELL Yeah, not as big on Last Night in Soho. [Mitchell & Slim laugh]
SLIM Alright. So now we’re at the final portion of our episode where we’ll look at Jack’s Top 50 of 2022. He updates it weekly. And these are the trending movies, so you get a real indication of where films are slotting on the list. And we talked about it briefly, Everything Everywhere All at Once isn’t eligible for the All Time 250 just yet, because it didn’t hit 5,000 ratings by the time Monday, but we can say that right now it’s fitting between Come and See and Harakiri, which would make it our all time number-three movie, Mitchell.
MITCHELL Yeah, if you want to talk about nuclear buzz, that’s all time number three on Letterboxd. [Slim laughs] You can’t get much more nuclear than that.
SLIM Don’t let—everyone’s maybe getting “slimfluenced” as I call it. You know, the hype...
MITCHELL Be careful!
SLIM The reverse-hype might be setting in. Everyone just stay calm! Try not to read anything, just go into totally blind and make your own decisions.
MITCHELL Yeah, don’t go in thinking, ‘This is going to be the third-best movie of all time.’ [Slim laughs] Just go in, you know, with as clean a slate as you possibly can and just let it wash over you. Don’t don’t go in meaning like, go in with this kind of demand, “You better! You better be as good as everybody’s saying you’re going to be!” Don’t be a Slim, basically. [Mitchell & Slim laugh]
SLIM “Don’t be a Slim.” Can we get that on the Letterboxd storefront on a tee-shirt? [Slim laughs]
MITCHELL Yeah, that’s the new, that’s the tagline for Weekend Watchlist, “Don’t be a Slim.” [Slim laughs] “Here’s what’s coming out this week! Don’t be a Slim!” [Mitchell laughs]
SLIM What else should we talk about from Jack’s list for this week?
MITCHELL Jack wanted to highlight, in of the the Top 50 of 2022, there’s a lot of World Cinema going on. A big call out this week is a film called RRR which stands for ‘Rise Roar Revolt. It’s a three-hour Indian action-historical epic about to 1920s revolutionaries. This one is entering into the Top 50 at number seventeen, which is pretty high. I’ve been seeing a lot of buzz for this on Twitter. You know, we tweeted out I think a clip of it on our Twitter and immediately the tweets, the engagement, were just off the chart for it. So it’s got a big following going on. I think Jack mentioned that it got presented as an event release in the US as of Friday in 1,200 theaters with, it’s got an intermission, and a pricier ticket and it made nearly $10 million in the US over the weekend. So there’s definitely [an] audience coming in for this and we’re seeing that audience showing up on Letterboxd and giving it very high praise.
SLIM I came out of trailer retirement and I did watch the clip. And this movie and it is insane.
MITCHELL Yeah, I’ve got friends who are very big action fans, like yourself, and ones who have seen it and are very, definitely, like all about it. So if you’re a big action fan who feels like maybe, you know, Netflix movies and big Hollywood blockbusters have been letting you down a little bit in their CGI-heavy approach to action, maybe this is one to check out for you and see some of the cool stuff that’s going on in other areas of action cinema.
SLIM I tweeted about your return to the pod earlier today. And @kinsfilm on Twitter, replied and said “Every time @itismitchell is on the pod I always end up finishing that ep with 20 new movies added to my watchlist”. [Mitchell laughs] So this section of the show, maybe we’ll shuffle our watchlist for the first time with Mitchell.
MITCHELL Let’s do it.
SLIM And we’ll see what we have to watch before we meet next on this podcast. Mia and I did it a few weeks ago. I ended up with the Wolf Guy, she ended up with Scanners. She sounds pretty trepidatious about finally watching Scanners. [Mitchell & Slim laugh]
MITCHELL A little bit—she was psyching herself up for it. “I will watch Scanners! I will do it!”
SLIM It did not sound like it was going to happen. So if you want to us, you can head to your watchlist on Letterboxd and you can—so we’ll do it by streaming, our streaming services. So filter your service by stream-only and then sort by shuffle so we will see what’s next on our list. I’m gonna do it right now. I’m hitting shuffle. [slot machine sound plays] Dressed to Kill by Brian De Palma, streaming on HBO Max. That is my next film. Look at that poster. Mamma mia! [Mitchell laughs] Have you seen—I’m looking to see if there’s a review from you on here. I’m not finding it just yet. Have you seen Brian De Palma’s Dressed to Kill?
MITCHELL I have seen it. I... so when I saw it, I was not super familiar, especially with Brian De Palma’s earlier stuff. So when I saw it, I was a little taken aback by, maybe there are some questionably problematic elements of the film, which is water that I have now learned, you kind of can expect with Brian De Palma, especially his earlier stuff. So I think when I went into it, I was a little bit shocked and not sure what to expect by it. So I wasn’t a big fan of that when I saw it, but it is one that I’ve been wanting to revisit, because since that time, I’ve become a huge fan of Brian De Palma. I love Blow Out. I recently last year, saw Body Double for the first time, which is now one of my favorite films. So I want to check out Dressed to Kill, give it a rewatch. And maybe I’ll rewatch it before you and I are back on here so we can discuss it together a little bit.
SLIM Ohhh yes. Alright, so what is what is your result from you shuffling your watchlist on streaming services only? [slot machine sound plays]
MITCHELL My result is... a film from one of my favorite directors, John Carpenter, that I have not seen. It is called Ghosts of Mars.
SLIM Oh baby! [Slim laughs]
MITCHELL It is streaming on Hulu. It has a 2.3 average rating on Letterboxd. The only thing I really knew about the film was that it was directed by John Carpenter. It was not one of his particularly well-received films and that among its cast is Pam Grier, who we all love very much. So I am going to, excitedly, with a very open-mind, get into Ghosts of Mars. Is that one that you have seen Carpenter oeuvre?
SLIM I have not seen Ghost of Mars, 2001. The tagline: “Terror is the same on any planet.”
MITCHELL It’s the same on any planet! [Slim laughs]
SLIM You almost sound like Mia now! [Mitchell laughs] You’re getting yourself psyched up to see Ghost of Mars.
MITCHELL I’m excited. I’m excited. “Melanie Ballard is a hard nosed police chief in the year 2025.” The very distant future, as we all know... [Slim laughs] I’m very excited to see what’s going on on Mars and what those ghosts are up to.
[Izon by Trent Walton fades in, plays alone, fades out]
SLIM Thanks so much for listening to Weekend Watchlist, brought to you by HQ page on Letterboxd using the links in our episode notes.
MITCHELL Thanks to our crew. And thanks to Letterboxd member Sophie Shin for the episode transcript. And most of all, thanks to all of you, for listening. Weekend Watchlist is a Tapedeck production.
[Tapedeck bumper plays] This is a Tapedeck podcast.