Weekend Watchlist: Thor: Love and Thunder, Both Sides of the Blade and Murina
[Izon by Trent Walton fades in, plays alone, fades out]
MIA Hi! Welcome to Weekend Watchlist, a look at what’s screening and streaming brought to you by The Letterboxd Show. I’m Mia, they’re Mitchell...
MITCHELL Hello!
MIA And together we’ll dig through what’s dropping this weekend, last weekend, recent trends on Letterboxd and we’ll also take a peek at our own watchlists—all under 30 minutes or your money back.
MITCHELL Mia! Hello...
MIA Hello!
MITCHELL It is wonderful to see you. As listeners might be able to guess, this is our first, first ever historic Slim-less episode of Weekend Watchlist. How does it feel for you? Are you excited? Are you nervous?
MIA [Mia sighs] I miss Slim. He will be Slim-missed.
MITCHELL Oh... That’s... okay. [Mitchell laughs]
MIA Nooo!
MITCHELL It’s fine. It’s fine. [Mitchell laughs]
MIA I was trying to make him feel included.
MITCHELL Yes!
MIA Because I know he’s gonna listen and I want him to be included.
MITCHELL Slim, you are always included, everybody misses you. Here we go again, for the first time, me and Mia. This week we will be chatting about Thor: Love and Thunder, Both Sides of the Blade, Murina, some community reviews and I believe, Mia, you have the answer to the question that has been plaguing us all: who did frame Roger Rabbit?
MIA I have the answer. I solved the mystery—but we can’t reveal that yet. You gotta listen to the whole thing to figure it out. You’ll find out at the end, but first you do have to listen through some Thor: Love and Thunder talk, directed by Taika Waititi. This is in theaters, 3.5 average and on a whopping 101,000 watchlists.
MITCHELL People are—people want to tune into this one. The synopsis for Thor: Love and Thunder: “After his retirement is interrupted by Gorr the God Butcher, a galactic killer who seeks the extinction of the gods, Thor enlists the help of King Valkyrie, Korg, and ex-girlfriend Jane Foster, who now inexplicably wields Mjolnir as the Mighty Thor. Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.” Mia, how are you feeling about the God Butcher?
MIA Christian Bale...
MITCHELL Yes.
MIA Christian Bale! Christian Bale is in the movie. That’s, that’s—he’s a great actor... [Mia laughs]
MITCHELL Great actor, has been in films.
MIA He has been in many films. And those are my thoughts on Gorr the God Butcher. [Mitchell laughs] I’m also interested in how Jane is inexplicably wielding Mjolnir. I like how that’s part of the official synopsis, is that it is “inexplicable”.
MITCHELL Inexplicable.
MIA Yeah, we cannot explain this. [Mitchell laughs] Mitchell, what are your thoughts on Thor: Love and Thunder?
MITCHELL Interestingly, 101,000 watchlists, perhaps controversially, not on either your or my watchlists, Thor: Love and Thunder. Yeah, I’m not an MCU person, I would say. I have watched every single one of them... [Mitchell laughs] because for some reason I am just compelled. I have this interesting thing where I, when I was a kid, when I was in high school, I was really into comics. And I was like mercilessly bullied for being into comics as, you know, a teenager in the early-to-mid-2000s. And now, superheroes are the most popular thing in the world and I’m not into it anymore. And now I’m like uncool for not being into it, or according to TikTok, I think I’m pretentious for liking non-English language movies—I think it’s the trend that’s going around right now. [Mitchell & Mia laugh]
MIA Oh yeah, yeah.
MITCHELL I know you saw—so you’re not super into the MCU either, but you did see Thor: Ragnarok, right? So you’re at least a little bit, you kind of have a little bit of awareness of what’s going on here.
MIA Yes, I have a slight awareness, that is one of the only MCU films I’ve seen. I went and saw Thor: Ragnarok because I was thirst watching for Cate Blanchett and I do not regret it, she looked awesome. Ultimately, if people are having fun, then people are having fun, I guess. Who am I to stomp on fun?
MITCHELL Exactly. I do see a note in the doc here from Slim—somehow getting his word in despite not being on the episode this week, just has to be a part of it somehow. Random note from Slim about the main villain, who I believe is called Gorr the God Butcher, if I recall correctly from the synopsis I read a few moments ago, is probably according to Slim the best modern Thor storyline in decades! [Mia gasps] So, I mean, if that’s what you’re into, the best and modern Thor storyline in decades that’s maybe a reason to sign up. We have some reviews that have been able to drop so far. I know the embargo on the official reviews just dropped yesterday when we’re recording this. David Chen calls the film, “A have fun trifle, a Marvel film imagined as a fairy tale and unwieldy mix of goofy comedy and all caps, EXTREMELY SERIOUS ELEMENTS, none of which are even hinted at in in the trailers as far as I can tell. Some of the iconography is really beautiful. It’s fine.” Glowing praise from David Chen. [Mia laughs] Let’s move on from the God Butcher to my heart butcher, my beloved Claire Denis, whose new film Both Sides of the Blade is coming out in theaters this weekend. 3.0 average currently on Letterboxd, on 10,000 watchlists, so look out Thor[: Love and Thunder].
MIA Yeah, watch out.
MITCHELL It’s getting there.
MIA Just need one more digit and we’re in. [Mia laughs]
MITCHELL We’re so close, Claire, we are so close!
MIA “Jean and Sara have been living together for 10 years. When they first met, Sara was living with François, Jean’s best friend and an irer from back when he played pro rugby. Jean and Sara love each other. One day, Sara sees François in the street. He does not notice her, but she is overtaken by the sensation that her life could suddenly change. François gets back in touch with Jean. For the first time in years. He suggests they start working together again. From here on, things spiral out of control.”
MITCHELL This is one of those interesting films where like this synopsis is very detailed, but I also feel like it’s a movie where you don’t really need a synopsis because Claire Denis is so much about like visceralness in her films, it’s not really about obviously like plot or narrative. It is just following the characters and their emotions. I know you and I have both seen this film, you more recently than I did. So what were your thoughts on Both Sides of the Blade?
MIA Completely agree that, yeah, it does not need a synopsis. It’s all about—it’s so, her films are so tactile, and it’s all about feeling and plot does not matter as much, which I really appreciate, because American films can get very, very plot heavy and kind of forget the emotion aspect. So I really ire that. You know, one of the best parts of this job is sometimes you just have a new movie from Claire Denis sitting in your inbox... [Mia & Mitchell laugh] And it is truly like waking up to Christmas. It is awesome. So this one, it’s a real powerhouse trio of Claire Denis, Juliette Binoche and Vincent Lindon, who are some of the best that French cinema and cinema in general has to offer. So Both Sides of the Blade definitely feels like and is something that Claire and her crew kind of quickly cooked up during the pandemic. So at times, it can feel more like a dramatic filmmaking exercise than like a full cohesive project. But they’re all just masters at what they do. Like it’s Claire MF Denis, come on! [Mitchell laughs] Come on! And there’s this brutal confrontation scene between Juliette and Vincent that is totally unforgettable. So I do think that if you’re a fan of Claire’s work and French cinema, it’s definitely worth a watch. If you are not a fan of Claire yet, go check out Beau Travail, you’ll become a fan and then go watch this.
MITCHELL Yeah, it’s definitely like, she is one of those directors who—she’s one of my top five directors of all time, I love her work. She is a person who I think that people kind of either get on the wavelength or not on the wavelength, she has a very particular kind of style to her. So Both Sides of the Blade definitely is like a film where if you are a fan of Claire Denis, I think you’re gonna love it. If you’re not, you know, maybe you won’t get as into it. But as you said that powerhouse, you know—I mean, that confrontation scene between the two of them, like even if you are not super into what Claire Denis is doing in general, if you need like a little bit more of a concrete plot to follow, the performances should suck you in no matter what. I definitely feels like she took those constructions of the pandemic and still made it work for the film. It feels a lot like a play in a lot of scenes, especially in that scene where it’s like all of the emotions that have been contained for the entire film are just unleashed. And it is like... I saw the film back in March, and I’m still reeling from that scene, especially, I can’t let it go. So I had the opportunity to interview both Claire Denis and Juliette Binoche about the film back in March, we’ll be publishing those on Journal soon, which I’m very excited about—Juliette Binoche, my favorite actor of all time, so...
MIA That’s so cool. Were you just like freaking it and melting down? I would be. [Mia laughs]
MITCHELL Yeah, it was like, I had—so I had 30 minutes with both of them and I opened up, like I had to not open up crying and just being like, “Hello, hello! I’m in love with you! I mean, I love you. I mean, sorry. Great film, great work on the film... I am a professional, believe it or not. I am here to do my job...” [Mia laugh] But you, I know, so speaking of favorite actors, Claire Denis, her previous film, also with Binoche, had your beloved Robert Pattinson—who I believe if I’m seeing my notes here correct, you are currently engaged to Robert Pattinson?
MIA Yes.
MITCHELL Yeah, congratulations.
MIA We are engaged. Thank you very much. Yeah, I’m publicly announcing it.
MITCHELL This is the announcement.
MIA Yeah, this is the announcement. I’m announcing it on this podcast, on Weekend Watchlist. I felt that it was the correct avenue. [Mitchell laughs] We have another movie coming out about being in love in beautiful European waters: Murina, directed by Antoneta Alamat Kusijanović. In theaters, 3.5 star average rating and 6000 watchlists.
MITCHELL The synopsis for this one: “A teenage girl decides to replace her controlling father with his wealthy foreign friend during a weekend trip to the Adriatic Sea. You and I both watched this—so I watched this yesterday, you watched it bright and early, first thing this morning, starting the morning off with Murina. How did that start your morning today?
MIA Oh, man. Oh, man. It made me really need to go to the Adriatic Sea. It is hot in LA and that is what I was thinking. [Mia laughs] No, this was a very beautiful, beautiful film. I’m always a sucker for movies about people having messed up relationships on vacation.
MITCHELL Right. [Mia laughs]
MIA Such as Claire’s Knee, a classic in that in that subgenre.
MITCHELL So good.
MIA And I also really enjoy explorations of young women’s misguided desires, such as Stoker. So yeah, so of course I was gonna go to enjoy this one.
MITCHELL Yeah, Criterion Channel had a collection I think last year or two years ago, called Bad Vacations that had like—Claire’s Knee might have been in there, Long Weekend was in there, [The] Comfort of Strangers was in there, stuff like that. I think about like Us, another great movie about just a vacation gone like horribly wrong. And yeah, Murina definitely for me—Slim and I talked about Clara Sola last week, which Slim coined the term ‘simmering-cinema’ and I feel like Murina fits very much into that oeuvre as well. It is like a movie that has this tension that’s kind of boiling underneath the entire time. And it never really fully necessarily comes like overflowing the same way that something like Both Sides of the Blade does where it really feels like the top is taken off of it in the climax there. It’s just, Murina is just kind of settling in the entire time and it makes you feel like something really bad is about to happen at any moment. And it’s also got the wealthy foreign friend, is played by the great Cliff Curtis, who speaking of hot in LA, Cliff Curtis, a very, very attractive man. I do not blame this young woman for seeing that man and being like, “That is my new father. Not this guy who’s being very rude to me, not treating me very kindly. That man, my mother should be with that man immediately... or maybe I should be with him, either one works.”
MIA Yes! Again, again, Stoker vibes, one of my favorites.
MITCHELL Very, very Stoker vibes. Another great movie.
MIA Another great movie! Also Murina is executive produced by the great Martin Scorsese.
MITCHELL A man with taste.
MIA Exactly. And it won the Camera d’Or at Cannes 2021. So it is highly acclaimed. I recommend it. I really did enjoy it. Beautiful.
MITCHELL Yeah. And we’ve got some reviews here from people who have been able to see it. I want to shout out Liam’s review on Letterboxd: “you know that moment when you’re watching a film and then boom the credits start to roll and you can tell in that moment that you’ve just watched something that is going to stay with you for quite some time? yeah this film just did that for me i’m pretty astounded right now” That’s high praise, I’d say.
MIA Yeah, I also enjoyed Shane Slater’s review that was: “A nifty riff on the ”handsome visitor destabilizes a family unit” narrative.” So, so true. That’s another one of my favorite little subgenres. The Beguiled...
MITCHELL Another great movie with a very handsome man—or two very handsome men depending on which one you’re watching...
MIA Yes, exactly, exactly. Yes. One more review from monab: “evil mamma mia”. [Mitchell laughs]
MITCHELL Here we go again. I wanted to shout out one last review for from Guy Montgomery—maybe one of my favorite Letterboxd reviews I’ve read in a very long time. Guy says: “There is this character in the movie called Javi and the whole time I was watching it I kept thinking ”Is that Cliff Curtis playing Javi? I mean, there’s no way that is Cliff Curtis but whoever is playing Javi sure looks a hell of a lot like Cliff Curtis.” Eventually I realised it wasn’t Cliff Curtis and started watching the movie without the whole Cliff Curtis thing hanging over me AND THEN at the end of the movie, I found out it had been Cliff Curtis the whole time.” So Murina, you know, you don’t expect Murina to have a twist but... the big twist of Murina is... it’s Cliff Curtis, baby! That’s Cliff Curtis!
MIA It is a twist!
MITCHELL Well, Mia, let’s think about a quick look back at the previous week. You know, let’s take a look at some things we want to shout out from what we’ve been seeing the last week or anything from this week that, you know, we want to give a mention that we haven’t spoken about yet. Mia, what are some things that you want to call out?
MIA I want to spotlight the Fire of Love, it is a new documentary getting great reviews. It’s from Neon and National Geographic—cute little team up there. It’s getting some awesome reviews. It’s directed by Sara Dosa, it is in theaters now. “Katia and Maurice Krafft loved two things — each other, and volcanoes. For two decades, the daring French volcanologist couple were seduced by the thrill and danger of this elemental love triangle. They roamed the planet, chasing eruptions and their aftermath, documenting their discoveries in stunning photographs and breathtaking film to share with an increasingly curious public in media appearances and lecture tours. Ultimately, Katia and Maurice would lose their lives during a 1991 volcanic explosion on Japan’s Mount Unzen, but they would leave a legacy that would forever enrich our knowledge of the natural world.”
MITCHELL That is... that’s a pretty big sell, I think. It is—so I saw it at Sundance and it definitely... it’s got a lot of beautiful imagery. The volcanoes themselves, lots of nice magma going on—I believe that’s the scientific term... I know it’s stuff about volcanoes, I’ve watched by Sam, whose Letterboxd review referring to this gorgeous lava just says: “So many forbidden snacks.” [Mia laughs] Which I think is... is accurate! Watching Fire of Love, it does—content warning, I suppose for Fire of Love, you are going to want to drink lava, because it just looks so delicious.
MIA It does. Think about it...
MITCHELL Think about it! [Mitchell & Mia laugh] But I did want to shout out that our article on Journal. Mia, halfway through the year, what’s your favorite film of 2022 so far?
MIA After Yang.
MITCHELL After Yang! That was Slim’s pick as well.
MIA After Yang...
MITCHELL Big After Yang heads on Weekend Watchlist. You, yeah, you’re a huge After Yang head!
MIA Yes! It is one of the most affecting, beautiful films I’ve seen in a long, long time. I had not given out a five star since Portrait of a Lady on Fire in 2019, I believe. So, I am so, so grateful for After Yang especially as a mixed-Asian woman. It explored interracial family dynamics in a way that I had never seen before, never before seen it explored so meticulously and in such a validating way. I was like, on the verge of tears the whole movie—plus there’s a Mitski song in it! That made me crazy!
MITCHELL A Mitski song...
MIA Mitski’s in it, Colin Farrell is in it—it was made for me. And Kogonada... Oh man. Yeah, I just, I love After Yang. I wish it had gotten a little bit bigger release, but that’s okay.
MITCHELL Yeah, a shame that it didn’t get a bigger push on the release. But Midyear in Review. It is also one of my favorites of the year, I saw it at Sundance, I watched it again. I spoke to Colin Farrell and Jodie Turner-Smith and Kogonada about it. I mean, it’s a film that I think resonates really deep. On The Letterboxd Show, I think Slim and Jack both described watching it as like therapy. It’s like such a therapeutic film to watch and I couldn’t agree any more. It feels like you are going through some sort of like significant life change.
MIA Well, let’s bump those After Yang numbers up. We can get it up from fifteen, up to the top five, I think. So let’s check in on the Letterboxd Top 50 of 2022 list to see what is at the top of the list for things released this year. Again, After Yang should be number one—that’s okay though. We have a few holdovers from last year’s festival rounds that are getting their first national release in 2022. The highest one is the Canadian drama Scarborough at number 22 which debuted at 2021 TIFF and made our crew round up of the Best of the Fall Fests. It moved a few of our team for sure and came out in Canada on February 25th, just crossed 1000 views.
MITCHELL Let’s check in on our own watchlist. Let’s head into our section of the podcast where we use to talk about our own watchlists, we shuffle them. This is our first time doing this together, as it’s our first episode together, me and you! But last time you were on with Slim, you and your watchlist shuffle got Who Framed Roger Rabbit. So Mia, who did it?!
MIA I can’t tell you. I’m gonna withhold information—I know. Here’s the thing, I know perfectly well who framed Roger Rabbit! [Mitchell laughs] But I think ultimately I guess I would have to blame... California’s terrible public transit system.
MITCHELL Mmm. Mhm.
MIA I didn’t realize this was a pro-public transit movie and how important public transit is. But as an LA resident, I really appreciated it. I didn’t realize this was Chinatown! They made Chinatown into a live action animated hybrid cartoon.
MITCHELL I actually had not seen Who Framed Roger Rabbit—cruelly, cruelly, I had not seen it either. And when I knew that you and I were doing this together today, and that this was your pick, I said to myself that this is the time. This is the time to shine. Let’s knock Who Framed Roger Rabbit off my own watchlist. So listeners might not know who framed Roger Rabbit, but both Mia and I know damn well who did it and, you know, you’re not gonna believe who did it but... who did something? Bob Hoskins did something to all of our hearts and our libidos, I believe.
MIA As did Jessica Rabbit—hubba hubba! Wowwy!
MITCHELL Hubba hubba!
MIA Wowwy kazowwy! My eyes are popping out of my head, I’m bonking myself with a hammer right now! [Mitchell laughs] Jessica Rabbit—if I were eleven years old watching this, I would have spontaneously combusted.
MITCHELL Jessica Rabbit, I believe a sexual awakening for a lot of people. This is actually a thing that I felt—so Mia, you and I recently participated, were happy to participate in a monthly trivia event with our friends, put together by our friends over at the Filmspotting Podcast. And during the course of the night you very courageously revealed to about 50, 60 people that you had a crush on Marlin, Nemo’s Father in the film Finding Nemo, who I believe is a clownfish?
MIA Yes, he’s a little clownfish. [Mia laughs]
MITCHELL Watching—again, kudos to you for having the courage to, you know, reveal your truth in that way.
MIA It’s a safe space. It was a safe space. I felt safe saying it.
MITCHELL It was a very, a nurturing space, as is Weekend Watchlist. You mentioned Jessica Rabbit here, and I was curious watching Who Framed Roger Rabbit if there were any other, you know, animated creatures who did that certain special something for you during the film?
MIA There are—oh, during this one? I thought you just meant in general... I was like there’s a long, long long list starting with the rat from Flushed Away. [Mitchell laughs] But this one... [Mia laughs] For Who Framed Roger Rabbit, it was mostly Jessica Rabbit. I mean, I’m having an awakening now at the age of 26 after seeing that, I’m like, where has she been all my life? So yeah, she could be being added to the marriage list soon.
MITCHELL Yeah. Move over Colin Farrell. Sorry, buddy.
MIA Anyway, I want to say this really bad. Forget it, Roger... It’s Toontown.
MITCHELL That’s all you need.
MIA That’s all I have to say. [Mia laughs]
MITCHELL Well speaking of movie crushes, so my watchlist pick for this week was The Adventures of Buckaroo Banzai Across the Eighth Dimension—another very fun thing to say. Which featured Jeff Goldblum dress as a little cowboy, almost as if Jeff Goldblum dressed as a cowboy in Buckaroo Banzai doesn’t look like an actual adult-cowboy. He looks kind of like if a child was being a cowboy for Halloween, which I found just delightful. It is a very bonkers movie. I watched it back-to-back with Who Framed Roger Rabbit which is like the most ‘80s like double feature I could possibly imagine. It is a wild, wild movie that feels like they just threw everything at the wall to see what sticks. And for me, I mean, most of it does. John Lithgow doing a maniacal-villain with like an absolutely Gonzo accent. The Slim-approved Peter Weller is Buckaroo Banzai himself. There are musical sequences that I deeply wish that we had more of in the film and more in general. I mean, it’s definitive ‘80s, to me, Buckaroo Banzai, and it ends with a promise of a sequel coming soon. And that sequel, of course, never happened, which is a bummer, because I would love to see more Buckaroo Banzai, maybe a little bit less Marvel Cinematic Universe. I would rather have 1000 Buckaroo Banzais.
MIA You had me at musical number.
MITCHELL It’s a trip. But Mia, let’s move in to—there are some people, you know, every week we shuffle our own watchlists, but there are people shuffling their own watchlists along with us, tagging their reviews “Weekend Watchlist”. You want to shout out a few people who have shouted out some reviews this week?
MIA Of course! Paul’s review of Before Sunrise, which is now streaming on the Criterion channel for summer. “This film restored my love for love. The charismatic and romantic chemistry of Hawke and Delpy is without question the best I’ve ever seen. No other pairing comes close. There is so much detail and care put into how their conversations were written, but also felt so fluid and real.” Absolutely, Paul, one of the best.
MITCHELL Yeah, definitely, and very summer-vibes, a very summer-vibe movie—series, really, the Before trilogy, check it out if you haven’t seen it. I want to shout out one of my best friends in the world, Tripp Burton, reviewed [The] Diving Bell and the Butterfly. Trip says: “Whoever said that anything is unfilmable can take a lesson or two from this film. All it takes is some real artistry. The Diving Bell and the Butterfly captures interiority better than perhaps any film I’ve seen, managing to be both completely realistic and expressionistic at the same time. A marvel.”
MIA Okay, one more review just because I love this movie. Ned’s review of Victor/Victoria: “Julie Andrews is a god.” Yes.
MITCHELL That’s it. That’s all you need to say.
MIA Victor/Victoria is awesome, also. Check it out. Check it out.
MITCHELL Mia, let’s do the thing. Let’s shuffle our watchlists.
MIA [Mia gasps] It’s time.
MITCHELL You know, let’s head into our own watchlists. We will sort by Shuffle, I’ll filter by service Stream-Only. And then we will select our films that we are going to watch the next time that we are on the pod. Mia, what film did you arrive at?
MIA Shuffle... [shuffle sound plays] Ohhh! Fun. Okay—oh my god. Wait, this is funny because this film is directed by my clownfish-crush Albert Brooks, Defending Your Life! Defending Your Life, 1991! Albert Brooks and Meryl Streep.
MITCHELL Just a delightful film—Albert Brooks, your man, is one, just a delight. And two, he’s a great director. I feel like people, if you haven’t gotten on the Albert Brooks as a director train, Lost in America is fantastic. Modern Romance is one of my favorite films of all time. Defending Your Life definitely stacks up there with them. So...
MIA Real Life is awesome too.
MITCHELL Yeah, Real Life, so prescient Real Life. [shuffle sounds plays] My pick actually—okay, so my pick is a film that I maybe... [Mitchell sighs] I’m bravely announcing that I have not seen this yet, because it’s a recent big hit that I just have not caught up with but have been meaning to. Steven Spielberg’s West Side Story from last year, I have not—last year, I was in a daze. There was a lot going on. It was only in theaters for a while which I’m not able to go to theaters right now. So I didn’t catch it during the mad-rush last year and it’s been sitting on my watchlist. It is on HBO Max and I think still Disney+ now. Yeah, Disney+ as well. So I will be checking out finally, finally I got the push here for Steven Spielberg’s West Side Story. Very excited to see it. Mia, what do you think of Spielberg’s West Side Story?
MIA Ohhh, the Ansel Elgort of it all is really, really hard to get past because the movie itself, I think is great. Everyone’s giving incredible performances, except for a certain someone. And... [Mia laughs] so I really wish they had cast somebody else. But other than that, it is really, really gorgeous. That Spielberg... he knows what he’s doing!
MITCHELL He knows what he’s doing, and I will find out about more of that very soon.
[Izon by Trent Walton fades in, plays alone, fades out]
MITCHELL Thanks so much for listening to Weekend Watchlist brought to you by The Letterboxd Show. You can follow me Mia, Mitchell—that’s the me—and our HQ page on Letterboxd using the links in our episode notes. If you have the time, maybe consider rating the podcast on Spotify or leaving a rating and review on Apple Podcasts, it helps spread the word about the show.
MIA Thanks to our crew and thanks to Letterboxd member Jack for the facts and Sophie Shin for the episode transcript. And to you, for listening. Weekend Watchlist is a Tapedeck production.
[Tapedeck bumper plays] This is a Tapedeck podcast.