Monumental. I expected Dicaprio to put me off with permanent Grumpy Cat frown face, but he might have pulled in his second best performance ever here. (Best being Jordan Belfort of course) You believe he loves his wife, and you believe he’s ok with killing off her whole family, and you as a viewer have to juggle this in your head through three plus gorgeously shot, designed, and edited hours.

A bit weird though that Scorsese appears at the end to tell us to boycott The Marvels.

Teamwork makes the dream work!

Actually engrossing to watch bureaucrats come together in a crisis to “save the nation” - a sentiment that gets evoked again and again in this excellent procedural. If a film set in a western country had this kind of small-p patriotism, I might be skeptical of it's worldview. But Shin-Godzilla isn't, so I'm not.

Of course, it takes a Godzilla film to insightfully depict the Japanese-American relationship (alliance?) as a transactional, shallow friendship full of doubts and misgivings.

Doesn’t totally justify its eight episodes - like a lot of glossy TV it’s too long - but it is immaculately made and performed and zips along with Craig Gillespie’s Scorsese-lite dollies and tracking shots.

At its most interesting when dealing with the birth of the Internet, and Pam’s tortured, tragic fight to protect the privacy of her body and marriage. And I like Tommy Lee’s half-aware slide into irrelevancy as grunge and Third Eye Blind take over the 90s.

Has the catchiest, most indulgent and expensive needle drops I’ve heard in ages. That’s Disney money for you.

Refreshing and ahead of its time. Benefits a lot from a low-budget, rough DIY quality - those early digital transitions!! And yet the historical photos and footage looks astoundingly real - it’s a shame Dunye wasn’t able to develop her style further.

Camille Paglia’s scene is hilarious - I hope she was joking?

Has a great balance of serious political content with breezy, well-observed romantic comedy. In the end Faye’s story hits emotionally hard, partly because it is, in Dunye’s words, “a work of fiction.”