這部片的技術陣容確實不錯，值得拍拍手 。但劇情的水準就有點像夜市的彈珠台——時好時壞，靠運氣。有點可惜，因為台北的夜晚本來就超有戲，氣氛十足、角色滿街跑，要是能把這些夜裡的故事串在一起，應該可以拍得又潮又迷人。

比如說，每段故事的角色都曾經走進同一家通宵營業的便利商店——可能只是進去買罐啤酒或買包菸——也就是那張樂透教訓發生的地方。這樣的巧合就夠形成一種微妙的連結了，不需要真的碰頭。更不用安排什麼靈異插曲，因為深夜裡那些自然發生的人與人的交會，本身就已經夠引人入勝了。

Looks like Sean Baker ignored the spellcheck suggestion when he typed “Ani” instead of “Ivan” on the title page of the screenplay.

“I love photographing women. I’m fascinated by the way they move. I love to follow them. I love to make the audience get involved in their dilemmas.”

These dilemmas include getting stalked, knifed in the throat, strangled in a public bathroom stall, murdered in the shower, or impaled on a spinning electric drill bit long enough to emerge through the ceiling of the room below dripping with blood, to name just a few scenes from his body of work.