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Artwork for Season 2, Episode 11: Best in Show: International Features
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Best in Show: International Feature Feast with Juliette Binoche and Trần Anh Hùng

Season 2, Episode 11

Bonjour! The Best in Show crew digs into the Best International Feature race, with an entrée of an interview between Brian, Juliette Binoche and Trần Anh Hùng about their César-nominated collaboration, The Taste of Things. Gemma, Mia and Brian also divulge the recipe for the International Feature category and how its submissions work—and briefly bring in Perfect Days director Wim Wenders as a treat.

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Festival Circuit

Best of Cannes 2025.

From directors including Kristen Stewart, Joachim Trier and Jafar Panahi, traversing Australia, Nigeria, Iran, Brazil and more, our crew selects fifteen highlights from the 2025 Cannes Film Festival for your watchlists.

Letterboxd Crew
Community

Mommies in the Movies.

In celebration of Mother’s Day, the Letterboxd crew shares the love for our favorite movie moms, from Marmee March to murderous matriarchs and beyond.

Letterboxd Crew
Awards

Best in Show: Magic Mikey.

Our weekly awards season digest wraps up with an Academy Awards celebration—and Coralie Fargeat’s insight into her Oscar-winning hair and make-up team’s creation of Monstro Elisasue.

George Fenwick
Awards

The 2025 Letterboxd FYCs.

The Letterboxd crew proudly present our inaugural celebration of the finest hyper-specific achievements in the past year of cinema. Our wildly subjective awards honor the best in categories ranging from Girl Dad to Sexy Accessory to Prosthetic Appendage. Envelopes, please! 

Letterboxd Crew
Awards

Best in Show: No Sag in Our Spirits!

Our weekly awards-season digest assesses the Spirits and SAG winners, where Seans Baker and Wang triumphed, Moore and Madison continued to trade trophies, and Chalamet pulled a surprise victory. Plus: Sean Baker on the Anora font and Ani’s Juul.

George Fenwick
Awards

Best in Show: The BAFTA Boys.

Our weekly awards-season digest takes stock of the BAFTAs’ shaking up of an already chaotic race, and how Wallace & Gromit made Feathers McGraw look so menacing. Plus, a Best in Show exclusive: a seventeen-year-old Coralie Fargeat’s stop-motion Star Wars adaptation. 

George Fenwick
Awards

Best in Show: Tiny Dancer.

Our weekly awards-season digest unpacks how the critics, directors and producers awards have shaken up an uncertain race. Plus, we hear from Conclave’s Carlos Diehz on the significance of a singular turtle.

George Fenwick
Awards

Best in Show: Hard and Harder Truths.

Our weekly awards-season digest ponders: how do you solve a problem like Emilia? Plus, a breakdown of the Grammys, and advice from Marianne Jean-Baptiste on how to recover from a (fictional) massive breakdown.

George Fenwick
Awards

Best in Show: Popularity Contest.

Our weekly awards-season digest takes stock of some early Sundance buzz, and gets a window into the jobs of Oscar and BAFTA voters. Plus, Wicked director Jon M. Chu on the “traumatizing” complexity of shooting ‘Popular’, and Ariana Grande’s famous “Right!” ad-lib.

George Fenwick
Awards

Best in Show: Brutal Snubs, Substantial Surprises.

Our weekly awards-season digest breaks down the various Academy Award nominations in a wildly uncertain year—plus, first-time Oscar nominee Guy Pearce stops by to intellectually stimulate our mustaches.

George Fenwick
Awards

Best in Show: Golden Hour.

Our weekly awards-season digest looks at how the devastating LA fires have had a major human impact, assesses some gorgeous Golden Globe speeches, checks out the BAFTA and SAG nominations, and hears from Halina Reijn on Babygirl’s delectable milk scene.

George Fenwick
Awards

Best in Show: Breaking Dawn.

Our weekly awards-season digest takes a pit stop to assess the state of the race as 2025 begins. Plus: Aunjanue Ellis-Taylor on a standout Nickel Boys moment, LFCC and Annie Awards nominations, and the year’s final releases.

George Fenwick
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Journal is Letterboxd’s online magazine. Our mission is to get more films, big and small, onto your watchlists, spotlight the best writing from our community, and bring you news from our crew behind the scenes. Along the way, we dig deeper into the movies we’re obsessed with, meet the people who make them, and explore the culture that surrounds them. We welcome pitches.

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