Tim Fehrenbach Patron

Favorite films

  • Kiss Me Deadly
  • Johnny Guitar
  • In a Lonely Place
  • The Ox-Bow Incident

All
  • L.A. Confidential

    ★★★★★

  • Winchester '73

    ★★★★

  • The Big Sleep

    ★★★★

  • Them!

    ★★★½

More
Rear Window

1954

★★★★★ Liked 10

i’m gonna get married and then i’ll never be able to go anywhere.”

Jeff’s voyeuristic tendencies aren’t just about curiosity – they’re a mirror of his fear of commitment and his dread of losing independence.

It almost plays like a projection – his desire to get rid of her, materialized in the fantasy of a crime, only to be caught in the very act of imagining it. A loop of guilt and fear.


"couldn't we just keep it at…

Mulholland Drive

2001

★★★★★ Liked Rewatched

"it's strange to be calling myself. maybe it's not me."

The perfect representation of a dream within a nightmarish reality of her own. That part truly breaks me.



Moved and saddened by the news today. Rest in peace David Lynch. Infinitely ire his work, glad he left us so much behind. A world for us to return to, again and again.


---
rewatched the 4k restoration by Studiocanal supervised by David Lynch himself 5/5

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L.A. Confidential

1997

★★★★★ Liked 8

“why’d you become a cop?” — “i don’t .”

Sure, Mulholland Drive runs in a league of its own – but if we’re talking true classic neo-noir, this, to me, is still the best of the last 30 years. And don’t get me wrong – I love Drive – but it’s not even close. This is the real successor to Chinatown – stylish, gritty, and soaked in that same fatalist pull and slow-burn collapse.

I drowned in this late last…

Winchester '73

1950

★★★★ Liked 4

“some things a man has to do, so he does ’em.”

What a beautiful, wild ride. Every scene in Anthony Mann’s Winchester ’73 feels like a checkpoint in the ultimate obstacle course through the American imagination of the West. From the moment our hero runs into Wyatt Earp, the mythic tone is set. What follows plays like a canon of the genre’s greatest hits: a high-stakes shooting contest, a poker game showdown, a wagon chase, an ambush by Native fighters, a…

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The Big Sleep

1946

★★★★ Liked 12

“go on and scratch!"

Ok, this one has me grappling. I came in expecting a noir classic – well, it is, of course – but The Big Sleep kind of fakes it: no voice-over, no moral downfall, no haunted flashbacks, no femme fatale dragging our male lead to ruin. Not even those beloved dramatic shadows – unless you count the fog that thickens just in time for the final act. Before that, it’s all smooth talk and perfect dress, all…

Them!

1954

★★★½ 7

"them! them! them!"

Starkly beautiful at first – Them! opens with wide, empty desert shots, a terrified girl gone mute, and dramatic black-and-white contrasts that create a sense of looming dread. That first act had me hooked – the trauma, the slow procedural investigation, the eerie sound design. When that first beast comes crawling up over that hill, I was all smiles, imagining the original Godzilla – born the very same year – nodding in approval.


"we may be witnesses…