Robert Eggers continues his run of aesthetic perfection with this classic tale, dripping with so much dread and atmosphere that the world’s fog machine manufacturers must’ve rejoiced upon it getting greenlit. Harking back to 1992’s Bram Stoker’s Dracula (pardon the Jonathan pun) with nickelodeon shadow puppetry and beautiful studio bound sets - but pouring a cauldron of soot all over Coppola’s garish colors - this remake of the German classic takes all the suave sex appeal out of the world's…
